Follow me on TWITTER HERE twitter.com Join me on FACEBOOK HERE www.facebook.com www.ouibox.com sign up to be entered to win the iPad. iPhone app: itunes.apple.com Double Entendre: Hello my dear students.. there is still time to win that autographed iPad.. stay tuned for details at the end of the video and cool info on this awesome iPhone app. Today's lesson should be a dandy. Right!? I'm so excited! Who's doing the lesson today? Yes. What? No, what's tomorrow, who is today. I don't know who is hosting today, and why are you asking me what is tomorrow, it's a lesson, right? No... Billy Who is hosting the show today and Mary What is hosting tomorrow! Oh... I get it!!! Then who's shooting the day after tomorrow? I Don't Know. But we need someone to shoot on Friday!.. Oh.. I get it.. "I Don't Know" is shooting on Friday.. this is ridiculous! Gosh.. that was horrible! But, did you see what I did there? That was actually taken from an Abbot and Costello bit.. altered slightly to apply to me. That bit introduces us to "double entendre". Something that has two possible meanings. The expressions comes from the French phrase of the same spelling that came to English in the 17th century. The French phrase has updated since then and is now (pronounced doooblaa ontonteh) double entente while the English stayed the same as the old French. In any case, double entendres are among a larger family of plays on words known as puns, and many people who pride themselves on being "punny" have a <b>...</b>

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Hi-res & stereo: www.youtube.com Bizet, Georges (1838-1875) Je crois entendre encore Romance, No. 4, Nadir's aria from Act I of the French opera, Les Pêcheurs de Perles Libretto : Michel Carré and Eugène Score here: www.schubertline.co.uk My favorite version of this aria.. Sung with Vanzo's delicate, beautifully light and sensitive style, IMHO, this recording is the best "Je crois entendre encore" of all time. Synopsis: In the past, Nadir had fallen in love with a beautiful Brahman priestess named Léïla at a Brahman temple. Now, a veiled priestess has come to his village and he recognizes her as Léïla. He sings of his love for her which has not been diminished by the time they have spent apart. Original text: Je crois entendre encore, Caché sous les palmiers, Sa voix tendre et sonore Comme un chant de ramier! O nuit enchanteresse! Divin ravissement! O souvenir charmant! Folle ivresse! doux rêve! Aux clartés des étoiles, Je crois encore la voir, Entr'ouvrir ses longs voiles Aux vents tièdes du soir! O nuit enchanteresse! Charmant souvenir! Translation: I think I'm still hearing Hidden under the palm trees Her tender and sound voice Like the song of a woodpigeon O enchanted night Divine rapture O charming souvenir Crazy intoxication! Sweet dream! In the clearness of the stars I think I'm still seeing her Opening her long veils To the warm winds of the evening O enchanted night Divine rapture O charming souvenir Crazy intoxication! Sweet dream!

Georges Bizet Les Pecheurs de Perles Je crois entendre encore Alain Vanzo Nadir tenor french opera civileso

This video is a celebration of Rolando Villazón's recent news that his voice is back, and he will be singing for us next year! I've chosen Rolando's "Je crois entendre encore" from Bizet's Les pecheur de perles for the very simple reason that it is the most beautiful thing I have ever heard in my life. The images I have chosen center around the theme of passion, which no one brings to heart-stopping life as does Rolando. I also want to congratulate the blog Villazonista, which has been a wonderful place for us to celebrate Rolando, the artist and the human being. Thank you, Villazonistas of the world! Thank you, Teresa! You are amazing. Un abrazo rolandísimo!

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FROM DAVID GILMOUR IN CONCERT 2002,JE CROIS ENTENDRE ENCORE ,MUSIC AND VIDEO BY DAVID GILMOUR rip Richard wright

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Aria from Les pêcheurs de perles by Georges Bizet. Recording from 1960. Free download of the whole opera is here: www.angelfire.com Je crois entendre encore, Caché sous les palmiers, Sa voix tendre et sonore Comme un chant de ramier! O nuit enchanteresse! Divin ravissement! O souvenir charmant! Folle ivresse! doux rêve! Aux clartés des étoiles, Je crois encore la voir, Entr'ouvrir ses longs voiles Aux vents tièdes du soir! O nuit enchanteresse! Divin ravissement! O souvenir charmant! Folle ivresse! doux rêve! Charmant souvenir! I still believe I hear hidden beneath the palm trees her voice, tender and deep like the song of a dove oh enchanting night divine rapture delightful memory mad intoxication, sweet dream. In the clear starlight I still believe I see her half drawing her long veil to the warm night breeze. Oh enchanting night divine rapture delightful memory mad intoxication, sweet dream. Charming memory.

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Quatorzième chanson du film de Cristophe Honoré

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Beniamino Gigli canta Je crois entendre encore de la ópera Les Pêcheurs de Perles (Los pescadores de perlas)

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It's not about the size of the Caucus, but how you use it. Starring David A. Cooper Billy St.John Samantha Tinsley Vernetta Jenkins Written & Directed by Michael Gallagher www.youtube.com www.twitter.com NOTE: I crack up at every news video THE ONION puts out. Always wanted to do a video with them. But since they won't return my calls or sext messages, I decided to make this for the heck of it. Hope you enjoy it! :) Also, in case you are wondering, here is the definition of the word "Caucus": en.wikipedia.org © 2010 Totally Sketch. All Rights Reserved.

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For more Game Fails visit www.youtube.com Got something funnier? Submit your clips now at ahuploads.com Fails from all games accepted! Submitted by AngryCaboos

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Charles Castronovo sings Nadir's aria in a sitzprobe

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Cologne, 1970

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Pour en savoir plus, retrouvez nous sur "Ce Que Cachent Vos Médias" : www.facebook.com

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Les chansons d'amour - J'ai cru entendre (Louis Garrel, Gregoire Leprince-Ringuet ) Mon petit depuis ce matin J'ai trainé comme un crétin Au niveau du caniveau de Montparnasse a Chateau d'Eau j'ai bu des verres, des verres, et puis des verres Zubrowska, Riesling, Piper A court de tout à bout de moi Je suis revenu chez toi Moi je voulais juste un corps je cherchais seulement des bras un lit de réconfort des délices sous les draps mais hélas au lieu de ça J'ai cru entendre Je t'aime J'ai pensé c'est son problème J'ai cru entendre je t'aime J'ai pensé c'est son problème Peu importe que tu y crois Peu importe que je sois A bout de moi A court de tout Mais pas de ça entre nous Être un corps je suis d'accord T'offrir mes bras pourquoi pas Mon lit ok encore pour rire à salir les draps mais je crains que pour tout ça Tu doives entendre je t'aime Tu doives entendre je t'aime je suis vieux, veuf et sectaire Un pauvre imbécile secrétaire Je suis beau, jeune et breton Je sens la pluie, l'océan et les crèpes au citron Tais-toi un peu petit trésor Tu as tout faux une fois encore J'suis très précieux épargne moi D'accord mais entre nous pas de ça Être un corps je suis d'accord Je cherchais seulement des bras Mon lit ok encore des délices sous les draps Mais je crains que pour tout ca Tu doives entendre...

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Simoneau's honeyed tone creates a magical, breathtaking aura about this aria. Nadir's aria from Bizet's "Les Pêcheurs de perles".

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Alfredo Kraus, as Nadir, sings "Je Crois Entendre Encore" from Georges Bizet's "Les Pêcheurs De Perles." From 1970.

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fr.euronews.net "L'Europe est à un moment décisif de son histoire et nous devons prendre des décisons capitales sur l'économie et sur notre place dans le monde. En tant que président de la Commission européenne, je souhaite entendre vos arguments, vos questions, vos idées. Vos points de vue sont très importantes pour nous aider à prendre les bonnes décisions et s'assurer que l'Europe sert ses citoyens. Merci donc de prendre une minute pour poser une question et faire entendre votre voix."

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Taken for the Album "Donna Summer" 1982. Produced by Quincy Jones, this another great track with a very Positive message. Vocals from this track were sampled later on on Cassius "1999". Enjoy this great tune:-) Perfect love you will never find say goodbye to what's left behind your release is way overdue let your tears be a friend to you If it hurts just a little be glad of it don't get caught in the middle thinking 'bout it if it hurts just a little be glad of it if you try you will see, what will be hurts just a little Silent eyes make your public life and the lies can be cold as ice how could you ever be so blind bet you never ever ever thought that love could be so kind If it hurts just a little be glad of it don't get caught in the middle thinking 'bout it if it hurts just a little be glad of it if you try you will see, what will be hurts just a little C'mon baby, c'mon sugar, c'mon honey (darlin') c'mon baby, c'mon sugar, c'mon honey (darlin') c'mon baby, c'mon sugar, c'mon honey (darlin') it's a crime of passion that's just what it means to me If it hurt just a little be glad of it don't get caught in the middle thinking 'bout it if it hurts just a little be glad of it if you try you will see if it hurt just a little be glad of it don't get caught in the middle thinking 'bout it if hurts just a little be glad of it if you try you will see C'mon baby, c'mon sugar, c'mon honey (darlin') c'mon baby, c'mon sugar, c'mon honey (darlin') c'mon baby, c'mon sugar, c'mon <b>...</b>

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parrygripp.com Listen girl to what I say, about the man from Gallifrey.... Learn more about Doctor Who here: www.bbc.co.uk Buy song on iTunes here: itunes.apple.com

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Watch this video in full widescreen at www.youtube.com This is because YouTube is now widescreen and the old video plays incorrectly. I left this one her for all the kind comments - thank you.

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www.espacioblog.com Versión insuperable de la famosa aria de "Los pescadores de perlas" de G.bizet y que Kraus a diferencia de otros cantantes, canta a tono haciéndolo además con una elegancia y una maestrÃa inigualables. Este arÃa se hizo especialmente famosa a finales del siglo XIX por ser la última que pudo cantar el célebre tenor navarro, Julian Gayarre durante una representación de esta ópera en el Teatro Real de Madrid, una semana después fallecerÃa el célebre artista.

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nikolas asimos - den pa na mas xtypan νικολας ασιμος - δεν πα να μας χτυπάν αλμπουμ: παρανομη κασετα 00001 Δεν πα να μας χτυπάν με όλμους και κανόνια Δεν πα να μας χαλάν τα πιο όμορφά μας χρόνια Κι αυτοί που μας μιλούν πως θέλουν το καλό μας Ποτέ τους δεν ακούν το δίκιο το δικό μας Δεν είναι αυτή ζωή κι από τ' αφεντικά μας Δεν είναι ανθρώπινα τα μεροκάματά μας Αυτοί καλοπερνούν και 'μεις αγωνιάμε Αν θά 'χουμε δουλειά για να 'χουμε να φάμε Το δίκιο μας εμπρός να βγάλουμε στους δρόμους Μπουρλότο και φωτιά σε κράτος κι αστυνόμους Τον ξέρουμε καλά της γης μας τον αφέντη Μας έμαθε πολλά το αίμα του Νοέμβρη Δε πα να μας χτυπάν με όλμους και κανόνια Δεν πα να μας χαλάν τα πιο όμορφά μας χρόνια Θα βάλουμε μπροστά τη μαύρη και την κόκκινη σημαία Για μας, για μια ζωή πιο λεύτερη πιο νέα "Πάνω στα ματωμένα πουκάμισα των σκοτωμένων Εμείς καθόμασταν τα βράδια Και ζωγραφίζαμε σκηνές απ' την αυριανή ευτυχία του κόσμου. Έτσι γεννήθηκαν οι σημαίες μας." - Λειβαδιτης Θα βάλουμε μπροστά τη μαύρη και την κόκκινη σημαία Μ' αγώνα η λευτεριά μας είναι αναγκαία.

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Voici la chanson de la région du Saguenay-Lac-St-Jean! Une initiative MigrActive Une vidéo suivra en 2012, en attendant, des images de la région!

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Leonid Sobinov - (1872-1934). Russian tenor. He sang at the Bolshoi (Moscow) from 1897, Debut in Mariinsky Theater (St Petersburg) 1901. His performances were accompanied by triumphs and success not only in Russia but all over the world He also sang at: St Petersburg opera theatres (mostly at the Mariinsky Theatre), Theater La Scala (1905-1911, Milan, Italy),Grand Opera (Paris),Royal Opera, London, Covent Garden,Monte-Carlo in the Opéra de Monte-Carlo,Teatro Real in (Madrid). His poetic approach and attractive stage presence made him very popular in the Russian repertory and as Gounod's Faust and Romeo, Alfredo and Lohengrin. СОБИНОВ Леонид Витальевич (1872 — 1934), Русский певец (тенор).В Петербурге дебютировал в 1901. В 1904--1906 блестяще выступал в миланском театре «Ла Скала» в традиционном итальянском репертуаре, а также в Монте-Карло и Мадриде, Лондоне, Берлине, Париже и др. В 1897 — 1933 в Большом театре (в 1917 — 18 первый выборный директор). В совершенстве владел искусством бельканто. Пленительный голос, актерская одаренность, благородная внешность способствовали созданию неповторимых сценических образов: Ленский ("Евгений Онегин" П.И. Чайковского), Берендей, Левко ("Снегурочка", "Майская ночь" Н.А. Римского--Корсакова), Лоэнгрин ("Лоэнгрин" Р. Вагнера), Альфред, Герцог ("Травиата", "Риголетто" Дж. Верди). Тонкий интерпретатор романсов русских композиторов.

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