Classical music, Johann Pachelbel - Canon in D Major from "London Symphony Orchestra Plays Great Classics" Johann Pachelbel Canon or Kanon baroque christmas classical music song songs the London Symphony Orchestra the "London Symphony Orchestra Play Great Classics" 卡農我的野蠻女友搖滾卡農卡農鋼琴電吉他
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Title : Johann Strauss II , The Blue Danube Waltz Date : 1867 From Wikipedia,The Blue Danube is the common English title of An der schönen blauen Donau op. 314 (On the Beautiful Blue Danube), a waltz by Johann Strauss II, composed in 1867. Originally performed 9 February 1867 at a concert of the Wiener Männergesangsverein (Vienna Men's Choral Association), it has been one of the most consistently popular pieces of music in the classical repertoire. Its initial performance was only a mild success, however, and Strauss is reputed to have said "The devil take the waltz, my only regret is for the coda -- I wish that had been a success!" The waltz originally had an accompanying song text written by Josef Weyl. Strauss adapted it into a purely orchestral version for the World's Fair in Paris that same year, and it became a great success in this form. The instrumental version is by far the most commonly performed today. An alternate text by Franz von Gernerth, Donau so blau (Danube so blue), is also used on occasion. The sentimental Viennese connotations of the piece have made it into a sort of unofficial Austrian national anthem. It is a traditional encore piece at the annual Vienna New Year's Concert. The first few bars are also the interval signal of Osterreich Rundfunk's overseas programs. It is reported by composer Norman Lloyd in his "Golden Encyclopedia of Music" that when asked by Frau Strauss for an autograph, the composer Johannes Brahms autographed Mrs. Strauss's fan <b>...</b>
Johann Strauss II The Blue Danube Waltz Romantic Era classical world music
Johann Lippowitz (real name David Armand) performs his mime version of Natalie Imbruglia's 'Torn'. Yes, we all know that he does the guitar slide wrong. Get over it. It's still really funny.
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Johann Sebastian Bach (1685 - 1750) Johannes - Passion (St John Passion) BWV 245 Chorus "Herr, Herr, Herr, unser Herrscher" Soloists: Olga Kondina(soprano) Elena Rubyn(mezzo-soprano) Andrew Goodwin (tenor) Vincent Haab (bariton) Vyacheslav Lukhanin (base) Andreas Wagner (tenor) Olga Mayorova (cembalo) Dmitry Grigoriev (organ) The Chorus of Kazan State Conservatoire, The Chorus of the Opera Studio of Kazan State Conservatoire, The Chamber Orchestra of Kazan State Conservatoire, Conductor Leo Kremer The Salikh Saydashev Great Concert Hall, Kazan, Tatarstan, Russia May 26, 2005
Johann Sebastian Bach Johannes Passion St John Herr Unser Herrscher Kazan State Conservatory Saydashev Concert Hall
Monty Python's hillarious sketch of Johann Gambolputty de von Ausfern -schplenden -schlitter -crasscrenbon -fried -digger -dangle -dungle -burstein -von -knacker -thrasher -apple -banger -horowitz -ticolensic -grander -knotty -spelltinkle -grandlich -grumblemeyer -spelterwasser -kürstlich -himbleeisen -bahnwagen -gutenabend -bitte -eine -nürnburger -bratwustle -gerspurten -mit -zweimache -luber -hundsfut -gumberaber -shönendanker -kalbsfleisch -mittler -raucher von Hautkopft of Ulm.
One wonderful waltz of Johann Strauss Johann Strauss II (October 25, 1825 -- June 3, 1899; also known as fully Johann Baptist Strauss, and Johann Strauss, Jr. was an Austrian composer of light music, particularly dance music and operettas. He composed over 500 waltzes, polkas, quadrilles, and other types of dance music, as well as several operettas and a ballet. In his lifetime, he was known as "The Waltz King", and was largely responsible for the popularity of the waltz in Vienna during the 19th century. Strauss was born in St. Ulrich (now a part of Neubau), the son of Johann Strauss I, another composer of dance music. His father did not wish him to become a composer, but rather a banker; however, the son defied his father's wishes, and went on to study music with the composer Joseph Drechsler and the violin with Anton Kollmann, the ballet répétiteur of the Vienna Court Opera. Strauss had two younger brothers, Josef and Eduard Strauss, who became composers of light music as well, although they were never as well-known as their elder brother. Some of Johann Strauss's most famous works include The Blue Danube, Vienna Waltz, Kaiser-Walzer, Tales from the Vienna Woods, the Tritsch-Tratsch-Polka, and the Pizzicato Polka. Among his operettas, Die Fledermaus and Der Zigeunerbaron are the most well-known.
Get mp3 at www.planet-vienna.com This is my personal favourite orchestral version of this terrific masterpiece. Played by Vienna Symphony Orchestra, Conductor: Robert Stolz (!) Robert Stolz himself is known as the last composer of the classical viennese aera. He was the one who knew best how a Strauss waltz has to be arranged and how the orchestra has to play it. That's why I adore this recording so much! It's 100% authentic and even the Vienna Philharmonics won't do it better. I had to shorten the track coz it was longer than 10 minutes. The intro has been removed. But never mind, the zither theme of the intro is played again at the end of the waltz. ___________________ Tales from the Vienna woods ウィーンの森の物語小约翰·施特劳斯योहान स्ट्रॉस दुसरा ヨハン・シュトラウス2世
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Title : Johann Strauss II - Die Fledermaus Overture From Wikipedia, Die Fledermaus (in English: The Bat;' in French: La Chauve-souris') is an operetta composed by Johann Strauss II to a German libretto by Carl Haffner and Richard Genée. The original source for Die Fledermaus is a farce by German playwright Julius Roderich Benedix (1811--1873), Das Gefängnis (The Prison). Another source is a French vaudeville play, Le réveillon, by Henri Meilhac and Ludovic Halévy. This was first translated by Carl Haffner into a non-musical play to be produced in Vienna. However, the peculiarly French custom of the réveillon (a midnight supper party) caused problems, which were solved by the decision to adapt the play as a libretto for Johann Strauss, with the réveillon replaced by a Viennese ball. At this point Haffner's translation was handed over for adaptation to Richard Genée, who subsequently claimed not only that he had made a fresh translation from scratch but that he had never even met Haffner. The operetta premièred on April 5, 1874 at the Theater an der Wien in Vienna, Austria and has been part of the regular operetta repertoire ever since. It currently appears as number 19 on Opera America's list of the 20 most-performed operatic works in North America.
Johann Strauss Jr Die Fledermaus Overture Opera The Bat classical world music
I have released my 3rd CD called "AIR". I play music by: Dowland, Galilei, Weiss, Bach, Handel, Albinoni and Pachelbel. This is also on it! You can order it from my website per-olovkindgren.com and soon also listen to sound samples there. ____________________________ Hi there! I made this arrangement this weekend. Actually I was starting on an arrangement for Beatles "The Fool on the Hill" but ended up with this. Don't ask me how. This is not exactly a "canon". It's more a Passacaglia. The "vamp" DA Bm F#m GDG A. is repeated all the time with variations. I hope you like my version. Sheet music and TAB's can be purchased and downloaded at www.per-olovkindgren.com Thanks to Marie for listening to me and making brilliant suggestions. You are my inspiration always! Kiss to you and hugs to all others :-) Pelle
This is one of the most popular compositions in the classical world which was composed during the baroque era in the 1680's by Johann Pachelbel. Performed by the Slovak Chamber Orchestra. This is a non-HIP(Historically Informed Piece) adaptation of the Canon, which means this is NOT the original "version" of the piece, as Pachelbel composed it. If you're looking after a good HIP performance, I suggest listening to Musica Antiqua Köln's, that can be found under "Video Responses". Highly recommended, enjoy! You can find the mp3 here: www.megaupload.com I've uploaded the file again to RapidShare: rapidshare.com Sheets: www.sheetmusicfox.com
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Johann Hari challenges Richard Littlejohn over his propagation of anti-asylum seeker lies. Littlejohn responds by ruthlessly exposing the biggest flaw in Hari's argument: his youthful looks. You can read Hari's account of the interview here: www.independent.co.uk
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JS Bach's Air on a G-string, from his 3rd orchestral suite in D major. FAQ Q: Where can I get free sheet music for this piece? A: The score in the video can be downloaded from here: www.musanim.com And here's a piano arrangement of it www.musanim.com www.musanim.com Click here to watch it in high-quality (recommended): www.youtube.com Q: Who is performing? A: I got this recording from Royalty Free Classical Music (dot org); they sell stock performances, and give stock answers to questions; the stock answer to "who is performing this" is "The RFCM Symphony Orchestra". Q: What is the BWV number for this? A: BWV 1068 Q: What does this have to do with a g-string? A: The short answer is that many people know it by the name "Air on the G-string," so I put it in the title to help people find it. You can read more about this here: en.wikipedia.org Q: What is the real name of this piece? A: It is the second movement of Bach's Orchestral Suite No. 3 in D major, titled "Aria" (Italian for "Air"). Q: Can you please do a video of ______? A: Please read this: www.musanim.com Q: How can I make this kind of display? A: Check out this: www.musanim.com Q: How can I turn the MAM MIDI Player display into a movie? A: See the "How to capture video" section of this page www.musanim.com and ask for advice from the people who have been doing this. .
Music Title: Canon in D Composer: J. Pachelbel Genre: Classic relax, feel the music and feel free to comment on the video and the music. I hope everyone will enjoy to hear the music. Enjoy and relax... (^-^)
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This version of "Canon in D" is 5:15 seconds long. It is perfet for the Bridesmaids Processional or the Brides Processional If you think you don't need 5:15 for your Processional you can have the DJ Fade it out when the Bridesmaids or Bride finish their walk. Its part of The Perfect Wedding" compilation by California DJ available on on itunes. For information on booking a DJ or Photo Booth in Southern California for your wedding visit www.californiadj.com
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Video is made by JeTa Productions (jeta-mail@gmx.de) Performed by Tatyana Ryzhkova. Recording was made in Weimar, where JSBach lived from 1708 to 1717. My website: www.tatyana-ryzhkova.de
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Austria's foremost interpretative dance artiste Johann Lippowitz (David Armand) is back with his unique version of the Killer's hit Human. The lyrics of the song are brought vividly to life and given meaning with a series of creative and expressive interpretative dance moves.
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My Website: kylelandry.com A complete improvisatory set of variations. Some fast. Some slow. Some quiet. Almost all bouncy. Pachelbel speedin' past the limit. Piano with a cup of Johann... Another words, I don't think I've played canon quite like this yet.... Let the the New Years bring you luck and great fortune! Your Pianist and Composer, Kyle Landry
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Title : Johann Sebastian Bach, Double Violin Concerto in D minor (2nd movement, Largo Ma Non Tanto (BWV 1043) From Wikipedia , The Concerto for Two Violins in D minor (BWV 1043) is perhaps one of the most famous works by JS Bach and considered among the best examples of the work of the late Baroque period. Bach wrote it in Leipzig sometime between 1730 and 1731, most likely for the Leipzig Collegium Musicum, of which he was the director. It also exists in an arrangement for two harpsichords, transposed into C minor (BWV 1062). In addition to the two soloists, the concerto is scored for strings and basso continuo. The concerto is characterized by the subtle yet expressive relationship between the violins throughout the work. The musical structure of this piece uses fugal imitation and much counterpoint. The concerto comprises three movements: Vivace Largo ma non tanto Allegro
Johann Sebastian Bach Double Violin Concerto in minor 2nd movement Largo Ma Non Tanto BWV 1043 classical world music
An der schönen blauen Donau op. 314 or On The Beautiful Blue Danube, A beautiful waltz composed in 1866 by Johann Strauss II, an Austrian composer and the most prolific of the Strauss family. Played by the Vienna Philharmonic Orchestra and conducted by Willi Boskovsky. Enjoy!
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Performed by Tatyana Ryzhkova. Guitar is made by Michel Brück. My website: www.tatyana-ryzhkova.de Video is made in St.-Lukas-Church in Bremen (Germany) by JeTa Productions (jeta-mail@gmx.de)
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When the 'French Party' organised a "Napoléon Festival" for 12 October 1854 at Karl Schwender's Casino in Rudolfsheim, the Morgen-Post announced that, on this occasion, Johann would conduct the Strauss Orchestra in the first performance of a specially composed Napoleons-Fest-Marsch (Napoléon Festival March). That November it was announced in the Viennese press that "his Majesty, the Emperor Napoléon III, has been pleased to accept the dedication of the 'Napoleon March' composed by Johann Strauss." For his part, the French monarch expressed his gratitude to the young Viennese 'Musikdirektor' by arranging for him to be presented with a valuable pearl tiepin. To this day the swaggering Napoleon-Marsch enjoys considerable success wherever it is played - although it continues to present Strauss researchers with an intriguing puzzle. For the second theme of the trio section, Johann Strauss incorporated a French "national melody", the identity of which he took with him to the grave.
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Posibly my favourite Bach composition. The Toccata and Fugue in D minor, BWV 565, is a piece of organ music composed by Johann Sebastian Bach sometime between 1703 and 1707. It is one of the most famous works in the organ repertoire, and has been used in a variety of popular media ranging from film, to video games, to rock music, and ringtones. As indicated by the accepted title of the piece, the Toccata and Fugue is scored in D minor. It is not in dorian mode as the key signature supposes, as it was common practice in the Baroque period to write in leading tone accidentals rather than in the key signature. It begins with a single-voice flourish in the upper ranges of the keyboard, doubled at the octave. It then spirals toward the bottom, where a diminished seventh chord appears, built one note at a time. This resolves into a D major chord, taken from the parallel major mode. The subject of the four-voice fugue is made up entirely of sixteenth notes, with an implied pedal point set against a brief melodic subject that first falls, then rises. The second entry starts in the sub-dominant key rather than the dominant key. Although unusual for a Bach fugue, this is a real answer and is appropriate following a subject that progresses from V to I and then to V below I by a leap. A straightforward dominant answer would sound atonal and odd in a Baroque piece. After the final entry of the fugal melody, the composition resolves to the key's corresponding major, B-flat, that is <b>...</b>
Toccata and Fugue in minor Johann Sebastian Bach organ Phantom of the opera Fantasma de la BMV 565 Baroque Barroco
Johann Sebastian Bach: Chaconne in d-minor. part 2 www.kalmanimre.hu Making this video recording in April 2008 was in fact only an attempt for me to realize the performance of the Bach Chaconne on the cello. I looked upon this idea as an exciting and honorific challenge. But ever since, approx. 30 live performances shaped and hopefully improved the level of that earlier first attempt. Recently, I took the trouble and courage to combine these experiences with my skill of cello playing, and put them on paper. My goal was to make this handwritten score available for everyone who would be interested. The 3rd version of the of the handwritten score, which is also included in the file, deserves special attention. From the aspect of the left hand's orientation, it focuses on a unique methodology that was never explained before. The "assisting tone system" which is built-into the piece's rhythmical structure is the work of three decades. This system makes the practicing procedure more enjoyable. It turns the exhausting and often pointless practice hours into fun. Not to mention the drastic time savings... I will gladly give help and suggestions or advice to anyone regarding this particular way of practice. The idea of the 4 cello transcription of JSBach's D-minor Toccata occurred to me long time ago, but took me until now to finally realize it. Transcribing this composition for various musical instruments is common nowadays, but if we recall the breathtaking sound of the unique <b>...</b>
From the New Years Day concert 2010 in Vienna. Johann Strauss' Die Fledermaus Overture. Upscaled to 720p. Recorded from the BBC on 01 January 2010.
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Notice: This video is only for cultural purposes. About Brandenburg Concertos The Brandenburg concertos by Johann Sebastian Bach (BWV 1046--1051, original title: Six Concerts à plusieurs instruments) are a collection of six instrumental works presented by Bach to Christian Ludwig, margrave of Brandenburg-Schwedt, in 1721 (though probably composed earlier). They are widely regarded as among the finest musical compositions of the Baroque era. Bach's dedication to the Margrave was dated 24 March 1721. Most likely, Bach composed the concertos over several years while Kapellmeister at Köthen, and possibly extending back to his employment at Weimar (1708--17). The first sentence of Bach's dedication reads: As I had the good fortune a few years ago to be heard by Your Royal Highness, at Your Highness's commands, and as I noticed then that Your Highness took some pleasure in the little talents which Heaven has given me for Music, and as in taking Leave of Your Royal Highness, Your Highness deigned to honour me with the command to send Your Highness some pieces of my Composition: I have in accordance with Your Highness's most gracious orders taken the liberty of rendering my most humble duty to Your Royal Highness with the present Concertos, which I have adapted to several instruments; begging Your Highness most humbly not to judge their imperfection with the rigor of that discriminating and sensitive taste, which everyone knows Him to have for musical works, but rather to take <b>...</b>
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Das Musikvideo entstand im Rahmen eines Projekts der FH-Deggendorf im Studiengang Medientechnik. Das ganze haben wir zu viert geplant und realisiert. Vielen dank nochmal an meine Komilitonen dass sies mit mir ausgehalten haben und natürlich an Karamel für den phantastischen Song
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